First what is POD? This is really confusing. There are iPod’s for music, pod casts for recording, pea pods, pod people from the movie Invasion of the Body Snatchers, and Printing on Demand (pod).

Since I’m a print broker and this blog concerns itself with printing, publishing, and [other] observations you could guess that the pod I’m concerned about is Printing on Demand. By the way, that’s a darned good phrase. Whoever came up with it should write political slogans, you know, the kind of things that sound good but have no real substance. After all, if you wanted something printed why not have it done on demand?

I DEMAND PRINTING NOW!

“My good sir, I demand my printing.” Wha? What does it mean? The phrase by itself is meaningless, but it has impact. It lets the customer feel that they are in charge by being able to demand it. How often if life do we get to demand anything? Demands usually cause trouble, but here’s the printer giving you permission to DEMAND something. That’s refreshing, don’t you think?

First, printing on demand is a misnomer. It is not a printing method at all. The method is called digital. Think of POD like the term quick print. Quick printing is offset printing utilizing faster turnarounds, smaller runs, and cheaper methods, like using paper plates instead of metal. There is no printing process called Quick Print. And there isn’t a printing press called an “on demand.”

Digital printing burst onto the printing scene just a few years ago. The computer industry spawned it, and in fact, the printing you do on your office laser jet is digital printing. The difference between the commercial digital “press” and your office printer boils down primarily to speed and sophistication.

So what’s the big deal? Oh my friend, it is a very big deal because Printing on Demand is revolutionizing the field of publishing. Until it came around, it wasn’t economically feasible to print just a few books. To prepare an offset press for printing requires several steps that we call “make-ready” in the biz. The time and materials, such as plates,  and file prep, have front-end costs. With POD, many of those front-end costs don’t exist. if your electronic file is right, the setup is virtually done. Now is the beginning of the golden age of short-run publishing.

If the price is better why isn’t all printing POD? Because, it isn’t always better. For all the hoopla, POD has a serious weakness. It is great at micro print runs, like quantities between one and five-hundred, but can’t keep up with offset printing at around one-thousand. If you wish to print say 2,000 books, offset printing will offer a much better price, but if you only want 50, POD beats offset, hands down.

What’s the future of Printing on Demand? Who knows? I suspect that someone, somewhere soon will figure out a way to make digital printing more economical for longer runs and offset presses will quickly disappear like dinosaurs. That day isn’t here yet. For the time being I recommend digital printing for short runs and offset printing for larger.  Here’s a pretty simple guide: 500 or less = digital, 1,000 or more = offset, between 500 and 1,000, get a bid.

P.S. If you have self-published a book and want to learn how to totally master the power of Internet marketing check out The Author Platform.

14,400 hits, 94 countries, 7 months

I find it fascinating that this modern Internet age has brought both its opportunities and challenges. For example, I began writing this blog in January of this year. So far, I’ve had 14,400 hits in over 94 countries. I’m not telling you this to brag, but to express amazement that this Salt Lake City, Utah lifetime printing broker who has only been two foreign countries in his life, Mexico and Canada, has through the Internet been able to reach out to the entire world.

Seeing the Forest for the Trees

Now, my progress is not spectacular. I’m not an Internet shooting star. What I am is a person sitting at my desk on the lower east slope of the Wasatch Front in my eighty-year-old home overlooking the Salt Lake Valley. I’m a publicly-educated, middle-class guy, raised in a middle-class family, without any particular social advantages. My only real leg up is that I have a better-than-average capability to see the forest for the trees and a strong work ethic. With these abilities, I’ve managed to make a lower-upper-middle-class income over the past twenty years by selling my knowledge of printing and offering my services to help customers get their printed projects delivered on-time, at competitive prices, at improved quality levels.

What I’m trying to say is that I really haven’t achieved any more than millions of other Americans in similar circumstances.

Writing the Great American Novel

So what is it that this unspectacular, pretty average guy brings to the table that  people throughout the world might want to know? Obviously, my understanding of printing and how to get things done efficiently has proven to have value. It has been that knowledge that paid my bills for 20 years. What else? I wrote a novel and that experience brought me to the edge of my knowledge chasm.

Reaching my knowledge chasm

I looked down and realized that I had no idea of how to cross to the other side. In the real world a printed book makes a poor bridge across a wide gulf. In the mind, however, a book can be anything. It can give you wings.

Could I produce a book? You bet. I could do that in my sleep. Did I know what to do with it once it was created? No way.

Those Who Sort the Avalanche

That’s when I discovered some interesting facts. I believed that writing a book was unique. Wrong, some 80% of adults would like to write a book. Of that 80%, many, like me, actually do it. I also believed that publishers would be anxious to get their hands on my special novel. Wrong again. I learned that most publishers aren’t interested in a manuscript that hasn’t been presented to them by well-connected agents, so I contacted a lot of agents. For the longest time I couldn’t figure out what was wrong with them. They seemed oblivious to the particular genius of my book, then I discovered that both agents and publishers face daily avalanches of manuscripts. Far more than they could ever get through. How could anyone deal with this mass of paper? They take short cuts and make primary decisions on arbitrary things. Oops a misspelling–you’re out. Darn the manuscript was bound when the instructions said unbound–you’re out too. And so on. I was told that less than 4% of submitted manuscripts ever become books. Getting a book traditionally published isn’t an up hill battle, it is a vertical climb without a rope. I didn’t like the odds and began to seriously consider the concept of self-publishing.

Pre-build the Audience

That’s where I am now. I am learning everything I can as fast as I can about self-publishing and marketing. This blog, example gives me an opportunity to introduce myself to the world. So far this year, as I said earlier, over 14,000 people have checked in. By the end of the year, could that number double? What about the year after that? At some point, and I’m not sure when that will be yet, I will feel ready to invest in producing my book and offering it to my readers. My reasoning is that if people like my blog they will likely like other things I write.

Free, Free, Free

Again, I’m not a shooting star. I’m just a regular guy who has the ability to express myself fairly well in the medium of the written word. I have hopes and dreams just like any other person. I’m thrilled with the response to Talking Through My Hat–may it continue to grow. The reason I wrote my story here is to give others hope too. The Internet provides a platform to talk to the entire world. If you aspire to be an author, and apparently, 80% do, write a blog. If you don’t know how to get started look into The Author Platform by following this link. Talk to people and tell them who you are. Let them get to know you. It’s free or nearly free. It’s the First Amendment to the US Constitution in action. Free Speech for Free how could you get more democratic than that?

P.S.If you already have a self-published book and would like to enter it into a no-fee contest with winner chosen by reader votes go to Wake Up Celebrity Author on The Author Platform. The winner becomes the Barnes & Noble. com Best-Seller. Cool.

Talk about trying to catch the train after it has left the station, the big publishing houses are just now looking into Internet and network marketing.  The Internet hit the publishing industry like a runaway freight and it wasn’t truly respected until upstarts like Amazon, and Google were seen riding off into the sunset lifting their glasses of champagne high into the air.

Even now Amazon is leading the book selling revolution with electronic books. What are the traditional guys doing? Mostly moaning about how book sales are down (is that true Amazon?), and gnashing their teeth about how foot traffic into bookstores has decreased.

This is why I say if you go the traditional route your chances of success are very slim.  I’ve read that a new title will get a whole 30 days of shelf exposure before being flung into the discount bin. Or even worse, having their covers ripped off for return credit and the book destroyed. You have to make a big splash early and fast to survive.

Chew on this thought–what if you published your own book and you could take the time it needs to build its audience? What if you controlled the presentation, marketing, and distribution? AND, instead of getting a 10% royalty earned fifteen times as much? This is the essence of self-publishing.

I’m not saying that everyone is ready, willing and able to do what it takes to be a self-publisher, but what most don’t know is that it is easier than you might imagine. You can build yourself up and become an industry thought leader in six months without even leaving home. Blogging makes it possible. The Internet makes almost anything possible. I know–I’m doing it. I started a blog last January (it’s July now) and I’ve had nearly 11,000 hits so far, and my monthly totals are going up, up, and up.

Why am I doing this? Exposure. Name recognition. I haven’t even published my books yet, but before I do I’m laying the groundwork. I’m networking and making world-wide connections daily. That’s so cool I can hardly stand it. If you scroll down the right side of my blog you will come to a yellow map of the world. Click on it and see how far and wide my words have gone.  I even have a language translator so that they can read what I’ve written in their own tongue. Technology–don’t ya’ love it?

Social Networking (web2.0) is flipping the whole book marketing system upside down. It used to be that you would sell books and then people would come to know you. Now people can get to know you and then you sell books. Which method would you rather use?

I’ve been following T.A.P. (The Author Platform) to learn the ropes of blogging and social networking.  Without this guidance I would be lost. TAP very clearly shows the path to follow and gives very valuable tidbits of information along the way. I can heartily endorse it because I use it. Oh, and by-the-way there’s a No Risk 15 day FREE trial too. What could be sweeter? Just click here for more information.

What do I get out of it? I get a little slice of the action, it’s true, but more than that I get the satisfaction of knowing that I’ve helped my fellow self-publishers, which is the same reason I have for creating The Red Hen Association of Self-Publishing Authors (click here for more information). I believe that we all benefit if we strive to raise the bar. We can do that by producing better self-published books, and selling them smarter than the big guys.

I love to question generally accepted truisms and it drives my wife crazy. “Why can’t you just accept it or let it go?” She tells me. This trait used to get me into trouble in school too. Just because the teacher presented something as a fact, that didn’t mean it was. Teachers don’t like little snot-nosed kids challenging them. I took more than one trip to the coat closet, I can tell you.

Everyone has a book in them and 80% want to write one.

I am bringing this up for two reasons, the first being the statement that “Everyone has a book in them.” I looked for the source of this quotation and it seems to be either unknown, a cliché, or anonymous. If anyone knows its origins, I would love to hear about it. The second statement treated as fact is that “80% of [people/adults] want to write a book.” How was that research conducted I wonder? Did a student with a clipboard wander up and down the streets stopping pedestrians to ask, “Have you ever thought of writing a book?” No matter how the research was done or even if it was done, it might be true. Ever since I wrote the manifesto for The Red Hen Association of Self-Publishing Authors (to read click here) everyone I know is either writing a book, has written a book, or has a close friend or family member working on a book. You might be tempted to ask, “Bill all of those sources you quoted know you, and you’ve written books, shouldn’t the figure be 100%? Okay smarty that would be true if they all pointed to me, but they didn’t, they were talking about themselves or some other person. I have enough sense to exclude myself from this highly questionable research I conducted.

Are 43.56 million books being written right now?

If you use my personal experience as valid research (note: not actually recommended) and take a wild a_ s guess, you would probably be correct in assuming that most would never really attempt it. But just suppose that 20% did give it a go. The adult population of the US according to the last census was 217.8 million. Twenty percent of that figure would mean that there could be 43.56 million books in process right now. Over forty-three million is a mind boggling figure. Even if 1/2% is true that would still come to nearly 11million books. Good grief–no wonder only 4% or less of manuscripts presented to publishers ever make it into print.

Family histories and journals are books too.

Let’s address the maxim that everyone has a book in them. I suspect that is true also. If for no other reason, our life stories will make interesting reading for someone. Especially once, we’ve passed on. After my father retired from his job as a computer systems analyst, he spent time gathering diaries and journals about our immediate ancestors. For me it was a good read. For someone unrelated, not so much. The point being that it is a book. A book printed on a home printer and hand bound with a metal strip you can purchase at any office supply store.

Is the book my father self-published going anywhere other than the bookshelves of his children? Probably not. But, what if one of our descendants became famous or heaven forbid infamous, wouldn’t someone love to have their hands on this information so they can speculate all day long on what made that person tick?

The difference between a book, a good book, and a great book.

The Catcher in the Rye, by J.D. Salinger

The question isn’t does everyone have a book in them. That answer is yes. The real question is does everyone have a good book in them? This answer is obviously no. The authors that can weave a story in such a way that it becomes a living thing are still far and few between, but as we have already discussed there could easily be a million books in development right now that given a chance could be the next Catcher in the Rye. There are too many manuscripts for traditional publishing and distribution to handle. If you are the next yet unrecognized great author, you may have no choice except to publish your own book, promote your book, and take it like The Little Red Hen to the next level by yourself.

Psst…

Secrets of Internet book marketing are revealed. AND you get a 15 day FREE trial.  No risk. To learn more click here.

Bite your Tongue.

Those who decide to self-publish can hold their heads high, because they will be counted among some of greatest authors in history. Below is but a partial list of authors who have chosen to self-publish at sometime in their career.

• William Blake, Ken Blanchard, Robert Bly,Lord Byron, Willa Cather, Stephen Crane,
  
• e.e. cummings,  Alexander Dumas, T.S. Eliot,Lawrence Ferlinghetti, Benjamin Franklin,
  
• Zane Grey, Thomas Hardy, Nathaniel Hawthorne,Ernest Hemingway, Robinson Jeffers,
  
• Stephen King,Rudyard Kipling, Louis L’Amour, D.H. Lawrence, Anais Nin, Thomas Paine,
  
• Tom Peters, Edgar Allen Poe, Alexander Pope, Beatrix Potter, Ezra Pound, Marcel Proust,
  
• Carl Sandburg, Robert Service, George Bernard Shaw, Percy Bysshe Shelley,Upton Sinclair,
  
• Gertrude Stein, William Strunk, Alfred Lord Tennyson, Henry David Thoreau, Leo Tolstoi,
  
• Mark Twain, and Walt Whitman.

Note: The list was pulled from John Kremer’s Self-Publishing Hall of Fame

If you don’t find at least one of your heroes here I would be very surprised. Also you may have noticed that quite a few poets populate the list. Modern poets complain that publishers aren’t interested in their books. It’s said that poetry doesn’t sell. Compared to a fast paced pop-novel of sex, violence, and action they are probably right. I have to keep reminding myself that publishing isn’t primarily about getting the finest works into the public’s hands–it’s a profit generating business like a grocery store. If the stock isn’t turning it is costing money. I, like many others, tend to glamorize the traditional publishing houses and imbue them with a nobility they just don’t have. It’s a business. Poetry, on the other hand, is something else. Poetry is a work of passion, not business. Publishers probably weren’t any more anxious to publish poetry then than they are now and that is why so many poets had to resort to self-publishing.

Ernest Hemmingway

One of my Talking Through My Hat readers added this comment about self-publishers:“For me all I had to do was find out that Hemingway’s first book was “self-published,” to help me make my decision and after 32 years of “practice” I feel I did it just right. And then later this year when I found out about Mark Twain’s force of ten thousand book agents scattered across America selling his works and Ulysses S Grants Memoirs (also published by Twain’s company which was run by his young nephew Webster).” Miles Cobbett, Author the Alaska book CHAMPION.

Miles followed up with this comment in another post: “One more tasty tidbit about Hemingway and his publisher, that I bet you already know is his lively discussions in letters between him and Charles Scribner about Royalty Payments. I was fascinated to read in copies of Hemingway’s “Letters” that CS only offered to pay Ernest Hemingway 10 % of the net. And Ernest wrote back in a lively letter that he wanted 15 % or a Minimum of 12.5 %…
This was fascinating to me, especially when I read in the other book I wrote to you about, (Birth of a Salesman), how Mark Twain offered and paid U. S. Grant and his widow, a whopping 70% of the profits from publishing Grant’s Memoirs.”

I have more sympathy for the traditional publishers than you might think from reading my posts. They have to have highly tuned crystal balls to foresee the future. If they choose to take a gamble on an author, and it tanks, what do they lose? Why the entire investment, of course. And what about credibility? What happens to the employee who stands behind a book bomb? Or two, or three? Can you say pink slip?

If you know your book will sell–you stand behind it. Raise the money to print and promote it. You might be like my friend Miles Corbbett whom I quoted above. His self-published book CHAMPION is selling well and he owes it all to word-of-mouth advertising. Miles has this to say about his success: “Getting the word out has been a fun & challenging journey, but it’s all been done so far without any help from a Madison Avenue super advertising blitz.”

If you are a self-publisher, considering self-publishing, or a supplier to self-publishers be sure to check out the manifesto for The Red Hen Association of Self-Publishing Authors, Inc. (click here).

I, Bill Ruesch, have a confession to make. Although I’ve been in and around printing for some 35 years, book publishing is comparably new to me. You see, I did something that most Americans (somewhere around 80% wish they would do) I wrote a book. Actually I wrote four, one non-fiction, two poetry, and a novel, but that is beside the point. My novel would be my break through book. It  is a children’s fantasy story set in the fictional 1950′s small Florida town of Burns. It’s called The Whistlin’ Salamander. The thing is, I didn’t know what to do next.

Does that seem odd to you? I don’t mean to imply that I don’t know how to get a book printed. I could do that in my sleep. What I didn’t know was how to get it published. So, I turned to the Internet and bought several books on the subject.  I found tons of information on the business from landing an agent, to wooing a publisher. Publishers, for the most part, I was advised, won’t even look at a manuscript that hasn’t been presented by an agent, so I tried, and tried, to find an agent.

I learned about query letters. I came up with what I believed was a dandy, and made sure it was letter perfect. Agents, I read, have zero tolerance for grammar or spelling errors. I found out that different agents required different numbers of pages to sample your manuscript, and that I had to scrupulously follow every instruction or risk immediate rejection. I was very certain that they would love my letter and the submitted pages would be hailed. In my daydreams agents competed to sign me. That was the fantasy. The reality–not so much. Not only didn’t anyone bite, they didn’t even nibble.

What next, I thought?

Aha! An old friend Karen Christoffersen, I recalled, had worked with Richard Paul Evans author of the best-selling Christmas Box. Maybe Karen could help me. I called Karen and she told me that they were working on a program to teach self-publishers everything they needed to know through a practical hands-on method. At the completion, authors would receive fifty copies of their bookstore-worthy book printed, designed, edited, and proofread. That sounded like a good idea, but I already knew how to get all of the production things done. What I needed to know was how to sell my book. The great-agent-chase convinced me that traditional publishing wasn’t ready for me yet.

Karen introduced me to Phil Davis the owner of ZDocs a digital printing company specializing in short-run books. Phil, being the savvy entrepreneur that he is, had created a course to teach authors how to use the Internet to establish or increase credibility, and to sell books. He named the course T.A.P.The Author Platform. I told Phil about my quandary and he gracefully allowed me to study TAP with the proviso that I would report back to him anything I didn’t understand. Hey, I could do that. Through The Author Platform I learned the importance of creating a blog. Viola, that’s what you are reading now. I learned about social networking and you can find me on Facebook , Linkedin and Twitter, I found out that through social networking you can reach thousands of people with your sales message in less time than it takes for one person to walk into a bookstore, pickup your book, and look at the jacket.

I’ve been practicing the principles Phil teaches in TAP.  I now know that self-promotional activities are challenging. They take time, they take energy, and they require all of your creativity. How well does it work? In just a few months I’ve become connected with amazing people all over the world that I could never have met in 10 lifetimes otherwise. My network gets stronger everyday. The more I learn the more I realize there must be thousands of people in the same boat as I was, authors stuck  somewhere along the path between writing a book to successfully selling it. My need became the incentive to develop The Red Hen Association of Self-Publishing Authors. You can read the manifesto, which is just a fancy way of saying vision and purpose by clicking here.

I’ve heard sad stories of garages full of self-published books that don’t sell because the authors don’t know what to do once they have them. I would heartily recommend The Author Platform as an excellent way to begin. It costs a little money, but compared to the cost of just storing unsold books, it’s a pittance. Knowledge truly is powerful.

Creating a Self-Publishing business is not for everyone, only those who:

• are unshakable in their conviction that their book must be published–that the world needs it
• are undeterred by rejections from traditional agents and publishers
• are intelligent enough, and with enough moxie to promote their book themselves, and by themselves if necessary
• have, or can get together the funds for the art, editing, and printing of the book, and
• will not settle for a second rate product that demeans them, and tarnishes the reputation of self-publishers everywhere
• understand that writing the book was the easy part, selling it takes major time commitments
• are tenacious as a pit bull
• know that they will earn more money by keeping the profits on each sale
• are smart enough to set aside funds for future reprints of the book
• are determined to operate their businesses in wise and irreproachable manner

I was tempted to elaborate on each of these ten points, but I think they stand on their own. Those who would be self-publishers must know that they are starting a business. Just like any other business endeavor, they must create a business plan, a marketing plan, and make plans for distribution.

The traditional publishing industry laughs at self-publishers because most will sell 100 books or less. They think that it proves self-published books are inferior. I don’t share that point of view. Sales figures reveal nothing about the quality of the writing, or the thinking behind it. I read a lot, and I’ve read many traditionally published books that were a waste of paper and ink, but they got through the system because they would sell. Publishing is still a business even at the loftiest and most snobby levels. A book that won’t sell is of no value to them, and is valueless to a self-publisher as well.

Vanity publishing is a different thing altogether

Some books are a vanity effort never meant for mass distribution. I’m not speaking of those. Authors who are writing for their friends and families are not obligated to the rules of business. Their reward is not profit driven and I honestly praise them and wish them well. “They’s good people,” as grandma would say.

Forty Thousand Dollars and nothing to show for it

I do feel bad for an author who puts all of her hopes and dreams into a book and believes that the world will beat a path to her door. It won’t.

I also feel bad for aspiring authors who are so book hungry that they are ready to believe any snake oil salesman that comes along. This past year I was introduced to a woman who had spent over $40,000.00 with an Internet firm who promised her the moon. $40 grand later not one copy of the book was printed. She was referred to a friend of mine who helped her with the editing, page layouts, and cover design. Then they came to me for the printing. For about one-quarter of the cost she now has a garage full of books that would proudly sit on any bookstore shelves alongside traditionally published volumes. Is she happy? You bet she is.

A new business is like a new baby

I keep pounding this drum, but The Red Hen Association of Self-Publishing Authors is being created so that we can steer each other toward reputable services, and away from the disreputable. The association is determined to provide educational opportunities for authors to learn everything they need to know to successfully run their self-publishing businesses. There is no magic wand. Anyone who promises miracles should be suspect. Successful self-publishing, assuming you have a market worthy book, can bring you an excellent, and even superior living, but you have to work it like a business. And a new business is like a new baby, it requires all the time, money, and energy you can muster, but end the end the rewards are worth it.

Looking for a way to get in?

I am in the process of surveying independent booksellers to learn what they have to say about self-published books and authors. The early returns are very enlightening. Self-published books as a rule don’t sell well primarily because they are poorly illustrated (in the case of children’s books) or are in need of professional editing. Often the quality of the printing is amateurish and whoever lays out the book neglects to put the title, and author on the spine.

Does content make a difference? Yes, it does. The most likely self-published books to sell concern themselves with themes of local or regional interest. Sometimes a folksy, handmade quality improves sales on those titles, but don’t count on it.

Will bookstores buy self-published books? Not usually. Sometimes not at all. There are those who might consider a consignment if it fits their demographic and product mix. They may provide limited shelf exposure and if the book does well they could decide to buy that title in the future, but don’t hold your breath. Independent booksellers are aware of the plight of self-publishers because they too are often self-employed. They would be happy to see a S.P. author succeed, but they will not, nor should not, risk their businesses on the untried and unproven. I don’t blame them, do you?

Let’s examine some of those complaints further.

1. Poorly Illustrated. Just because Cousin Jimmy can draw pretty well, doesn’t make him a professional illustrator. There is a reason that illustrators, graphic designers, and layout artists are paid a lot of money. What they do adds value to the book. You may buy into the saying, don’t judge a book by its cover, but when considering a book purchase where do you start? Do you even pickup a book that doesn’t catch your eye? Have you wondered why traditional publishers are willing to spend so much money on expensive printing flourishes like foil stamping, embossing, and film lamination? Eye candy. Do you have to incur these expenses for your book? No, you don’t, but you may suffer fewer sales as a result. “The devil is in the details,” after all.
2. Lack of or Unprofessional Editing. Your third grade English teacher was right, how you say it is at least as important as what you say. In the book business grammar and spelling don’t count for part of the grade, they are the grade. Present a book to a bookseller filled with mistakes and it won’t take a minute for you to be turned down, and turned down flat.  Don’t say that colloquial authors like Mark Twain got away with it. First of all, you are probably not Mark Twain. Second, if you read beyond the dialogue you will see meticulous attention to spelling and grammar. And PLEASE don’t hire someone you know, or someone in the family to be your editor. You want the editor to take a hard-eyed look at your work and not be afraid to tell you where the bear went in the woods. The focus of a professional editor is strictly on the work and your tender ego isn’t a factor.
3. Book Layout. Are your even page numbers on the left-hand page and your odd numbers on the right? Do you start new chapters on a new page, and is it an odd numbered page? If your chapter ends on an odd numbered page did you leave the next page blank? Do you count blank pages as part of your total when seeking printing bids? If your book is soft cover, did you make sure the title and author appear on the spine? If your book is hardcover with a dust jacket do you have the title and author name on both the hardcover and the dust jacket?
4. Content. If the book is fictional does the story hold up? Does the plot unveil itself logically? If there’s a surprise ending, did you build a case for it throughout the book? Even some bestselling authors forget that rule. It is almost as if they get tired of the manuscript or their editor is pushing for more pages and they just wrap it all up with an illogical conclusion. One of my favorite contemporary authors, Stephen King, has been guilty of introducing a monster out of nowhere to conclude a novel. If your book is non-fiction, did you do your research, or hire someone to do it? You should be ready to substantiate every fact. If you are ever caught just-making-stuff-up you can say goodbye to your writing career, and do I have to say anything at all about plagiarism? Three words–don’t do it! If you quote someone, make sure you have their permission. The same goes for using trademarked properties, or lyrics, or anything proprietorial.
5. Ho-Hum Book or Premise. Let’s face it; a self-publishing author can’t succeed with a product that is as good as a traditionally published book. You will have to find some way to be superior to the other material on the bookshelf. I realize that is a heavy responsibility, but if you think about it you will know that it is the truth. There are other ways to market your book, but if you want to go through traditional distribution channels, be prepared to have your excellent book rejected. Make it unique. Make it stand out. Always keep in mind that the traditional publishers are very knowledgeable about all of the tricks. and anything you think of has probably been done before.

The Red Hen Association of Self-Publishing Authors, Inc. intends to assist self-publishers find ways into traditional distribution channels, but if the book is not good enough (see the 5 areas above) there is no way on heaven or earth that anyone can make it happen for you. You as a self-publishing author are your own Red Hen. You have to plant the wheat, care for it, harvest it, mill it, and bake it into bread, but don’t confuse that with editing, art, and layout. I plead with you to hire the right people for those things. It will cost more upfront, but will be well worth the expense if it opens doors for you.

I’m not sure that authors reading my blog entry titled Are Self-Publishing Authors Saps? really caught what I was trying to say.  So I’m going to take another crack at driving the point home. Unless you are science textbook writer you probably aren’t into mathematics, but I will have to use a little 3rd grade math here, so stay with me. If you are considering self-publishing, you probably have a day job. According to the census the average American earns around $40 K per year. Suppose you paid less than five bucks each for a nice trade soft-cover book and could sell it for around twenty dollars? That would give you $15 profit per book. To replace your salaried income would require that you sell a tad over 51 books per week.

Let’s be honest here. No major publisher will be interested in a book that  sells only 51 copies per week, but if 51 books a week replaced your salary wouldn’t that be great? What would happen if you sold 100 books, or 200? Again, these aren’t numbers that will impress a big time publisher. They wouldn’t consider it longer than the time it takes to flick a fly off their foreheads, but what could it mean to you? Think about it.

This is the hidden secret: you don’t have to be a best selling author to make a decent living as a writer, but:

1. You do have to put in the time. You will soon learn that writing the book was the easy part. Marketing and promoting the book will consume all you have to give.
2. You have to be willing to take the risk. You will incur costs getting your book ready to print, not to mention the printing costs themselves.
3. You have to learn the ropes. You probably aren’t going to sell your 51 books a week standing on a street corner hawking them like newspapers. You have to learn from the real pros, and therein is a rub. I hate to tell you this, but the Internet is crawling with wolves and knaves. Anyone with a tincture of information and some copy writing skill is trying to pass themselves off as your savior, the answer to all of your problems. If you follow their advice, the promised great riches will indeed appear–they’ll appear in their pockets–and disappear out of yours. Knowledge is the shield you need to protect you.
4. You have to have a marketable product. It doesn’t matter what route you take. If the public isn’t interested in your book it won’t sell well no matter what you do. Take a good hard look at your book. Try to stand away from the emotion of your work and look at it for what it truly is. Everyone thinks that their’s is the most beautiful baby in the room, but love blinds. Listen to your critics. Weigh their advice carefully, but always remember that critics are often wrong. Their opinion is just an opinion. Ultimately the choice is yours to proceed or not.

Writers write because they have to. Did you get that? They have to. But a writer without readers is a cow without an udder. Producing the milk is one thing, but if there isn’t a way to dispense it, the readers go thirsty, and the cow bloats and dies. I don’t necessarily mean a literal death, but the death of the writer’s talent, a potentially promising career, and a unique voice.

You, the author, have something to say. You have some information to impart, or a story to tell, or maybe some humorous material. Whatever it is, you wouldn’t have started writing if you didn’t feel that people needed to hear from you. It could be that your particular audience isn’t very large, but are they large enough to sustain steady sales of your book? You may never interest a traditional publisher, but you could, and should aim at creating an adequate income to support your writing career. Who knows, if you are financially able to keep writing, and keep publishing, that illusive best seller might just come popping out sometime. Wouldn’t that be great?

Oh, by the way, don’t forget to keep up with The Red Hen Association of Self-Publishing Authors. With mutual cooperation we will soon know which of the services available have merit and which to avoid.

I’m proud to announce the beginnings of a new movement toward achieving credibility and respect for self-publishing authors.

Manifesto

for

The Red Hen Association of Self-Publishing Authors

We, the members of The Red Hen Association of Self-Publishing Authors, witnessing a decline in publishing opportunities, the rapidly changing habits of the book buying public, and the unwieldiness of the traditional publishing industry, are seizing control of our own destinies and banding together for the purpose of increasing our credibility, respect, and profitability. We are not expecting or demanding that anyone else have as much faith in our work as we do, therefore, we will not shy away from the challenges and costs of self-publishing including production, marketing, and distribution, but:

1. We abhor prejudicial rejections. Self-publishers are never too old, too new, too unproven, too innovative, or too risky. We refuse to be disrespected, dismissed, or ignored. Our success or failure is determined by our own efforts, and the marketability of our work.
2. We understand that traditional publishers seek manuscripts with high potential mass audience appeal, but we know that reasonable profits can be achieved even in limited markets. Money isn’t necessarily the only goal, sometimes the appreciation and gratitude of our readers is its own reward.
3. We may be small individually, but by banding together we will have access to the finest minds in book production, public relations, marketing, etc. The finished work should reflect our highest dreams and aspirations and stand proudly with the best the publishing industry has to offer. We refuse to ever be ashamed of our products because of shoddy, or low quality workmanship.
4. We insist that those who are recommended to assist us in our endeavors are trustworthy, competent, of have the highest standards of integrity. We reserve the right to accept or reject a recommendation from the association because we are first and foremost independent business people and will keep our own council.

Like The Little Red Hen in the children’s story:

a) We will prepare the ground by learning all we can about self publishing, marketing, and distribution.

b) We will sow the seed by using every means available to establish credibility for our own work and increase respect for self-publishing.

c) We will water and fertilize by blogging, using press releases, doing book signings, appearing on television and radio, and all manner of self-promotional activity. By our efforts we achieve success and inspire others to do the same.

d) We will thin and weed concentrating our efforts on successful methods and discarding those less productive.

e) We will harvest our crop using proper accounting and other business means to create  firm bases of operations.

f) We will employ the miller no matter how competent and capable we are, there are some steps we cannot do by ourselves. We recognize these steps and rather than botch the job, are willing to hire professionals with the talents, knowledge and abilities we need to supplement our efforts.

g) We will make the bread through our individual efforts we will print, publish, and sell our books, choosing the avenues and manner of distribution, and standing behind our work until our audience finds us. We have no respect for the practice of floating new books for only 30 days, then pulling them from the shelves. We will work our titles for as long as we are willing and able.

h) We will eat the bread and happily enjoy a much greater profit on each book sell than we would have earned with just royalties alone.

i) We will save some seed from every crop to plant, and harvest again because we are writers and writers need to be read.

Therefore, The Red Hen Association of Self-Publishing Authors is formed for the purposes of:

1. assisting authors/members by offering all or part of the following services as requested: to professionally prepare their works for printing or electronic production, to manage the production process including finding the least expensive methods, to provide marketing assistance from instruction to implementation, to developing business plans, and any other services needed to assist authors to achieve their personal and business goals.
2. offering courses and learning opportunities to instruct authors in self-reliance by every means from recommending books, to on-line courses, to personal coaching.
3. giving author support, The Red Hen intends to establish quality and professional standards to provide author/members the peace-of-mind of knowing that recommended sources bearing The Red Hen seal have earned the respect and backing of the organization.
4. helping members  rise to meet high standards for business ethics and quality levels. Only those who are worthy will be given the right to use The Red Hen seal in their marketing efforts.
5. furthermore, The Red Hen Association of Self-Publishing Authors will actively represent the collected authors and promote its members in any, and every way possible, from marketing opportunities to the lobbying for fair and equal treatment under the laws. We affirm that self-publishers rights  will not be diminished.