Entry #6, Bill Ruesch recession-recovery diary

Dear Reader,

In my last post I mentioned redirecting my efforts toward book printing. Some may think that is a fool-hardy strategy, after all, e-books are all the rage. Paper books are passe. E-book readers are being sold everywhere. Amazon has the Kindle. Barnes & Noble markets the Nook. Sony sells the Librie and there are at least 8 other brands available including the iPad and iPhone. In fact, the e-book reader competition is so hot that it makes the war between BetaMax and VHS seem tame. It’s anybody’s guess as to which reader will dominate. I’m sure they are taking odds in Vegas if you are a betting person and want to get in on the action.

One e-reader can hold hundreds of books

There is even speculation in the industry that the Kindle by Amazon may soon be offered free, so if you haven’t been able to afford one yet you may get it as a bonus for buying a certain quantity of e-books.

So why would I choose books for a focus when the world seems head over heels for e-books?

There are two reasons:

1. Over 700 Thousand self-published books were printed last year.
2. I feel that we aren’t done with books yet. A tangible book has an intangible value over an electronic book. It’s tactile. You can hold it in your hand and savor the feel of the binding, the smell of the paper and the beauty of the design. Try as you might, there just isn’t any way for you to lovingly rest a signed first edition of an e-book in your library.

From my observations, self-publishers as Rodney Dangerfield used to say “Get no respect.” Being brutally honest about it, they don’t get respect because they stop short of doing the job right. Publishing a worthy book requires massive amounts of effort. It’s an exercise in attempting perfection. Readers who report that a book is full of typo’s, grammar errors, and poor syntax will persuade other readers to give your book a pass. No wonder most self-published books only sell around 50-100 copies. It costs a little to hire proofreaders, editors, graphic designers, and layout artists, but if you go cheap on your product you will get what you paid for–a cheap product that doesn’t appeal to the masses.

My specialty is printing, which I assure you is much more complicated than sending your masterpiece to Kinkos, or most of the on-demand printers. Yes, you can get a decent book printed if you know what you are doing, but so few do. I also know artists, editors, and marketers that can help self-publishers win. So, if you are a budding self-publisher and want the help of proven professionals don’t be afraid to call. It doesn’t cost anything to talk. My number is (801) 474-1270 or you can email me at billprintbroker@comcast.net.

First what is POD? This is really confusing. There are iPod’s for music, pod casts for recording, pea pods, pod people from the movie Invasion of the Body Snatchers, and Printing on Demand (pod).

Since I’m a print broker and this blog concerns itself with printing, publishing, and [other] observations you could guess that the pod I’m concerned about is Printing on Demand. By the way, that’s a darned good phrase. Whoever came up with it should write political slogans, you know, the kind of things that sound good but have no real substance. After all, if you wanted something printed why not have it done on demand?

I DEMAND PRINTING NOW!

“My good sir, I demand my printing.” Wha? What does it mean? The phrase by itself is meaningless, but it has impact. It lets the customer feel that they are in charge by being able to demand it. How often if life do we get to demand anything? Demands usually cause trouble, but here’s the printer giving you permission to DEMAND something. That’s refreshing, don’t you think?

First, printing on demand is a misnomer. It is not a printing method at all. The method is called digital. Think of POD like the term quick print. Quick printing is offset printing utilizing faster turnarounds, smaller runs, and cheaper methods, like using paper plates instead of metal. There is no printing process called Quick Print. And there isn’t a printing press called an “on demand.”

Digital printing burst onto the printing scene just a few years ago. The computer industry spawned it, and in fact, the printing you do on your office laser jet is digital printing. The difference between the commercial digital “press” and your office printer boils down primarily to speed and sophistication.

So what’s the big deal? Oh my friend, it is a very big deal because Printing on Demand is revolutionizing the field of publishing. Until it came around, it wasn’t economically feasible to print just a few books. To prepare an offset press for printing requires several steps that we call “make-ready” in the biz. The time and materials, such as plates,  and file prep, have front-end costs. With POD, many of those front-end costs don’t exist. if your electronic file is right, the setup is virtually done. Now is the beginning of the golden age of short-run publishing.

If the price is better why isn’t all printing POD? Because, it isn’t always better. For all the hoopla, POD has a serious weakness. It is great at micro print runs, like quantities between one and five-hundred, but can’t keep up with offset printing at around one-thousand. If you wish to print say 2,000 books, offset printing will offer a much better price, but if you only want 50, POD beats offset, hands down.

What’s the future of Printing on Demand? Who knows? I suspect that someone, somewhere soon will figure out a way to make digital printing more economical for longer runs and offset presses will quickly disappear like dinosaurs. That day isn’t here yet. For the time being I recommend digital printing for short runs and offset printing for larger.  Here’s a pretty simple guide: 500 or less = digital, 1,000 or more = offset, between 500 and 1,000, get a bid.

P.S. If you have self-published a book and want to learn how to totally master the power of Internet marketing check out The Author Platform.