Bite your Tongue.

Those who decide to self-publish can hold their heads high, because they will be counted among some of greatest authors in history. Below is but a partial list of authors who have chosen to self-publish at sometime in their career.

• William Blake, Ken Blanchard, Robert Bly,Lord Byron, Willa Cather, Stephen Crane,
  
• e.e. cummings,  Alexander Dumas, T.S. Eliot,Lawrence Ferlinghetti, Benjamin Franklin,
  
• Zane Grey, Thomas Hardy, Nathaniel Hawthorne,Ernest Hemingway, Robinson Jeffers,
  
• Stephen King,Rudyard Kipling, Louis L’Amour, D.H. Lawrence, Anais Nin, Thomas Paine,
  
• Tom Peters, Edgar Allen Poe, Alexander Pope, Beatrix Potter, Ezra Pound, Marcel Proust,
  
• Carl Sandburg, Robert Service, George Bernard Shaw, Percy Bysshe Shelley,Upton Sinclair,
  
• Gertrude Stein, William Strunk, Alfred Lord Tennyson, Henry David Thoreau, Leo Tolstoi,
  
• Mark Twain, and Walt Whitman.

Note: The list was pulled from John Kremer’s Self-Publishing Hall of Fame

If you don’t find at least one of your heroes here I would be very surprised. Also you may have noticed that quite a few poets populate the list. Modern poets complain that publishers aren’t interested in their books. It’s said that poetry doesn’t sell. Compared to a fast paced pop-novel of sex, violence, and action they are probably right. I have to keep reminding myself that publishing isn’t primarily about getting the finest works into the public’s hands–it’s a profit generating business like a grocery store. If the stock isn’t turning it is costing money. I, like many others, tend to glamorize the traditional publishing houses and imbue them with a nobility they just don’t have. It’s a business. Poetry, on the other hand, is something else. Poetry is a work of passion, not business. Publishers probably weren’t any more anxious to publish poetry then than they are now and that is why so many poets had to resort to self-publishing.

Ernest Hemmingway

One of my Talking Through My Hat readers added this comment about self-publishers:“For me all I had to do was find out that Hemingway’s first book was “self-published,” to help me make my decision and after 32 years of “practice” I feel I did it just right. And then later this year when I found out about Mark Twain’s force of ten thousand book agents scattered across America selling his works and Ulysses S Grants Memoirs (also published by Twain’s company which was run by his young nephew Webster).” Miles Cobbett, Author the Alaska book CHAMPION.

Miles followed up with this comment in another post: “One more tasty tidbit about Hemingway and his publisher, that I bet you already know is his lively discussions in letters between him and Charles Scribner about Royalty Payments. I was fascinated to read in copies of Hemingway’s “Letters” that CS only offered to pay Ernest Hemingway 10 % of the net. And Ernest wrote back in a lively letter that he wanted 15 % or a Minimum of 12.5 %…
This was fascinating to me, especially when I read in the other book I wrote to you about, (Birth of a Salesman), how Mark Twain offered and paid U. S. Grant and his widow, a whopping 70% of the profits from publishing Grant’s Memoirs.”

I have more sympathy for the traditional publishers than you might think from reading my posts. They have to have highly tuned crystal balls to foresee the future. If they choose to take a gamble on an author, and it tanks, what do they lose? Why the entire investment, of course. And what about credibility? What happens to the employee who stands behind a book bomb? Or two, or three? Can you say pink slip?

If you know your book will sell–you stand behind it. Raise the money to print and promote it. You might be like my friend Miles Corbbett whom I quoted above. His self-published book CHAMPION is selling well and he owes it all to word-of-mouth advertising. Miles has this to say about his success: “Getting the word out has been a fun & challenging journey, but it’s all been done so far without any help from a Madison Avenue super advertising blitz.”

If you are a self-publisher, considering self-publishing, or a supplier to self-publishers be sure to check out the manifesto for The Red Hen Association of Self-Publishing Authors, Inc. (click here).

I hope you have been reading my information on The Red Hen Association of Self-Publishing Authors. If not, you may want to stop here and click on the manifesto. Today’s publishing reality is that approximately 4% of manuscripts submitted to publishers ever become books. If you have written a book you need to face the truth. The odds of getting your book published through traditional methods are slim to none.

Recently a self-publishing author of my acquaintance inked a deal with a major publishing company for some very large bucks, maybe the largest in history for a new author. How did he do it? I’ll tell you.

• He is very well connected. He was one of the founders of The Franklin planners. His expertise was in training. This work brought him face-to-face with the biggest names in success and motivational circles Og Mandino, and the family of Victor Frankel. He was also able to borrow credibility from the likes of Spencer Johnson author of Who Moved My Cheese and co-author of The One Minute Manager; John Assaraf author of The Answer; Teacher in the Secret; Stephen M.R. Covey author of  The 7 Habits of Highly Effective People; and Richard Paul Evans author of The Christmas Box.
• He brilliantly, if I do say myself, chose me to expedite the printing of his book. We worked together and created a showpiece book that in the words of one NY publisher, “Would stand up against the best in the industry.” What value is there in handing a prospective publisher a completed, well-crafted book instead of a dog-eared manuscript? You tell me.
• His friends introduced him to a successful agent who believed in the potential of the book, plus the author is a very personable man and excellent salesman. You won’t get far in any enterprise of worth if you can’t effectively self-promote. If you expect your writing to save you by itself, you are mistaken. Why was Mark Twain one of the best selling American authors of all time? Was it the quality of his writing alone? No, I don’t believe it. The flamboyance of the man helped his career immeasurably. Think of other examples. Best selling authors have always had a hook, even the poet Emily Dickinson had her spinster sheltered life to engage readers. The back story is important. Find yours and promote it.
• The agent held an auction. She didn’t beg the book from publisher to publisher hoping to find one. She put it up on the action block and invited publishers to compete for it, and compete they did.

To duplicate his success would be very difficult. You’d have to have the connections and the support of the best minds in your field, but does a self-publisher have to sell millions of books to make money? No. In fact, you don’t have to sell very many books at all to make money. If you can get a book published for let’s say $5, and you can sell it for $19.95, you have a profit of $14.95 per book. One thousand books could bring you $15,000, and five thousand books would net $74,750. To sell five thousand books you are looking at less than 100 per week. How hard could it be to sell 100 books a week? If you market it right, go to book signings, use social Internet sites, and promote it with purpose, 100 books should be a snap. How about 200 or 300? Think about it.

If you have a Facebook account you can join The Red Hen Association group to keep abreast of the progress. Red Hen is also on Twitter under redhenassoc. As soon as our website is launched and we have established an opt-in program I’ll be announcing it. Membership will be free. Saftey in numbers will be invaluable. Please hop on board, we need you.